2026-07-24 日報

✏️ 設計脈動日報 - 第 123 期 (2026-07-24)

焦點設計導讀

1. 每個工具(包括 Figma)都應回答關於 AI 訓練模型使用的四個問題(Four questions every tool should answer (even Figma) about AI training model usage)

2. Figma 與 Claude 設計:兩種截然不同的設計工作流程(Figma vs. Claude Design: Two Fundamentally Different Design Workflows)

3. 我將公司的 UX 設計指南餵給 AI — 它學會了做出設計判斷(I Fed Our Company’s UX Design Guideline to an AI — and It Learned to Make Design Judgments)

4. Anatomy 為 Horniman 博物館打造新活動,採用從館藏與花園汲取的訂製字體(Anatomy’s new campaign for the Horniman museum is built on a bespoke typeface foraged from the museum’s collections and gardens)

5. 打造 Cerebrium:讓無伺服器基礎架構具象化(Building Cerebrium: Making Serverless Infrastructure Tangible)

6. 從杜拜最奢華的飯店汲取 UX 框架(Steal this UX framework from Dubai’s most over-the-top hotel)

7. Chaos 解決了高斯潑濺 (Gaussian Splats) 的一大問題:現在可以重新打光了(Chaos just fixed one of the biggest problems with Gaussian Splats: you can finally relight them)

設計工具與 UI/UX (Design Tools & UI/UX)

Design Tools Updates (設計工具動態:Figma、Sketch、Penpot 等)

UI/UX Research & Methods (使用者研究與設計方法論)

網頁設計與前端 (Web Design & Frontend)

No-Code & Site Builders (無程式碼工具:Framer、Webflow 等)

AI 設計與創意科技 (AI Design & Creative Tech)

AI-Powered Design Tools (AI 設計工具)

  • 中文標題:Claude 的語音模式現已支援 Opus 和 Sonnet 模型(Claude’s voice mode is now available for Opus and Sonnet)
  • 精要敘述:Anthropic 公司將其 AI 模型 Claude 的語音模式擴展支援至更強大的 Opus 和 Sonnet 模型,並將其應用於 Gmail、Slack 和 Canva 等應用程式。這意味著設計師將能在熟悉的工具中,透過語音更直觀地與 AI 互動,提升設計協作和創意發想的效率與便利性。
  • 原文連結https://www.theverge.com/ai-artificial-intelligence/970065/anthropic-voice-mode-claude-opus-sonnet-haiku-ai
  • 中文標題:我不再每天寫相同的 AI 提示詞。取而代之的是建立可重複使用的技能。(I Stopped Writing the Same AI Prompt Every Day. So I Built Reusable Skills Instead.)
  • 精要敘述:這篇文章分享了作者如何透過建立可重複使用的 AI 提示詞「技能組」,有效提升設計系統的建構效率與一致性。這種方法對於希望更系統化、更高效地運用 AI 輔助設計的產品設計師而言,提供了實用的策略,避免重複性工作並優化 AI 協作模式。
  • 原文連結https://medium.muz.li/i-stopped-writing-the-same-ai-prompt-every-day-so-i-built-reusable-skills-instead-c540900e35a2?source=rss----5969bf7021a3---4

Generative Art & Visual AI (生成式藝術與視覺 AI)

設計靈感與社群 (Design Inspiration & Community)

Award-Winning Works (得獎作品與案例)

Brand & Identity (品牌與識別設計)

Design Community News (設計社群動態)

設計系統與字體排印 (Design Systems & Typography)

Design Systems & Tokens (設計系統與 Design Tokens)

  • 中文標題:從已發佈的元件庫中隱藏元件(Hide Components From a Published Library)
  • 精要敘述:Penpot 社群討論了如何從已發佈的設計元件庫中隱藏某些輔助性元件。這項功能對於維護設計系統的清晰度和可用性至關重要,能確保只有最終可用的元件對外公開,避免使用者混淆,並提升設計系統的管理效率。
  • 原文連結https://community.penpot.app/t/hide-components-from-a-published-library/10748
  • 中文標題:Gideon Phillip 為 Sorne 打造網格化品牌設計(Gideon Phillip Crafts Grid-Based Branding for Sorne)
  • 精要敘述:Gideon Phillip 為 Sorne 品牌設計了極簡主義的企業形象,運用策略性的高對比佈局與網格系統。這項設計強調了設計系統在品牌視覺一致性上的應用,特別是透過嚴謹的網格來構建視覺秩序,為設計師提供了品牌設計規範化實踐的典範。
  • 原文連結https://abduzeedo.com/gideon-phillip-crafts-grid-based-branding-sorne/

Typography & Type Design (字體排印與字型設計)


English Daily Highlights

Today's Design Pulse Daily for July 24, 2026, reveals a dynamic interplay between AI, design tools, and evolving design methodologies. A key highlight addresses the growing ethical concerns surrounding AI's role in design: "Four questions every tool should answer (even Figma) about AI training model usage." This piece underscores the critical need for transparency from tool developers regarding data privacy and AI model training, impacting trust and intellectual property in creative workflows.

Another significant development is the comparison between traditional and AI-driven design workflows in "Figma vs. Claude Design: Two Fundamentally Different Design Workflows." This article offers crucial insights into how designers can strategically integrate AI into their processes, adapting to a future where AI acts as both a collaborative partner and an autonomous creator. Demonstrating AI's practical application, "I Fed Our Company’s UX Design Guideline to an AI — and It Learned to Make Design Judgments" showcases how AI can streamline design system application and decision-making, offering a glimpse into more efficient and consistent design operations.

Beyond digital tools, the report emphasizes creative execution and user understanding. "Anatomy’s new campaign for the Horniman museum is built on a bespoke typeface foraged from the museum’s collections and gardens" exemplifies how unique typography can powerfully narrate a brand's story, inspiring designers to seek deeper cultural connections in their work. For those tackling complex digital products, "Building Cerebrium: Making Serverless Infrastructure Tangible" highlights the power of 3D and WebGL in transforming abstract technical concepts into intuitive user experiences.

Shifting perspective, "Steal this UX framework from Dubai’s most over-the-top hotel" encourages designers to look beyond apps, drawing UX inspiration from physical spaces and service design to foster more comprehensive user empathy. Finally, a technical breakthrough in "Chaos just fixed one of the biggest problems with Gaussian Splats: you can finally relight them" offers 3D and generative art designers unprecedented control over lighting in generated scenes, expanding the artistic possibilities in spatial computing and virtual environments. These insights collectively paint a picture of a design landscape rapidly evolving with AI, demanding both ethical awareness and innovative integration.